How to Enroll
For more information about our courses and to register, click on www.registrar.ucla.edu.
THEATER COURSES FOR WINTER 2019
Click through the class name to see the course description on the Registrar's website.
1B / Introduction to Dance for Music Theater
Studio, four hours. Designed for Theater majors. Introduction to basic music theater dance technique. May be repeated once for credit. Letter grading.
2B / Tai Chi II
Studio, two to four hours. Requisite: course 2A. Designed for Theater majors. Reviews, refines, and advances work of course 2A, introducing new forms, and delving more deeply into practice of Yang-style tai chi. Courses in performance practice continuum emphasize proper form, etiquette, and other values that sustain practice over lifetime. May be repeated once for credit. Letter grading.
14B / Introduction to Design
Lecture, three hours; studio, six hours. Exploration of visual interpretation of drama. Study of styles and techniques of design, collaborative role of designer, principles of design for scenery, lighting, costumes, and sound. Both technical and aesthetic groundwork for further study. Letter grading.
15 / Introduction to Directing
Lecture, two hours; studio, four hours. Investigation of role of director in theatrical production and theories of play direction, with emphasis on analysis and interpretation of dramatic work and its realization in production. Letter grading.
19 / Fiat Lux Freshman Seminars
Seminar, one hour. Discussion of and critical thinking about topics of current intellectual importance, taught by faculty members in their areas of expertise and illuminating many paths of discovery at UCLA. P/NP grading.
24B / Voice in Performance
Studio, three to four hours. Requisite: course 24A. Continuation of course 24A, with greater emphasis on group and/or solo performance projects that present targeted vocal and textual challenges. Letter grading.
25 / Articulation and Body
(Formerly numbered 25A.) Studio, three to four hours. Study of basic kinesiology principles of body in performance. Includes strategies of movement initiation and organization, as well as performance of movement scores to support actor's craft. Letter grading.
27 / From Vaudeville to Standup Comedy
Studio, three to four hours. Exploration of many aspects of comedy using American vaudeville traditions, acts, and performers as historical base to experience importance of rhythm, timing, delivery, speech, and body language in all styles of comedy, to find value of improvisation/imagination as well as innovative writing skills in all comic forms, to discover how comedy draws from so many art forms, including music/songs, dance, storytelling, clowning, magic, design, and tumbling/stunts, and to build overall confidence/ease in comic performance skills. P/NP or letter grading.
34B / Dance for Musical Theater I
Studio, five hours. Development of dance and movement techniques for musical theater. Letter grading.
35B / Singing for Musical Theater I
Studio, four to five hours. Exploration of musical literacy and development of singing techniques for musical theater. Basic voice training to explore how voice works, learn to maintain appropriate and consistent voice, and learn to preserve voice health. How to build stamina and range. Letter grading.
50 / Theater Production
Laboratory, three to six hours. Laboratory experience in various aspects of theater production, including stage management or member of production crew. May be repeated for maximum of 8 units. Letter grading.
95 / Introduction to Community or Corporate Internships in Theater, Film, and Television
Tutorial, six to 12 hours. Limited to freshmen/sophomores. Internship at various theaters, studios, or entertainment organizations accentuating creative contributions, organization, and work of professionals in various specialties. Students meet on regular basis with faculty member and provide periodic reports of experience. May be taken for maximum of 4 units. Individual contract with supervising faculty member required. P/NP grading.
101B / Reconstructing Theatrical Past
Lecture, three hours; discussion, one hour. Reconstructing theater is understood in several ways: reconstruction of performance spaces such as New Globe and of specific productions and traditions such as neoclassicism that seek to reinstate classical traditions. Letter grading.
M103B / African American Theater History: Minstrel Stage to Rise of American Musical
(Same as African American Studies M103B.) Lecture, three hours. Designed for juniors/seniors. Exploration of extant materials on history and literature of theater as developed and performed by African American artists in America from minstrel stage to rise of American musical. Letter grading.
M103J / Contemporary Black Theater: Modern Civil Rights Era to Black Lives Matter and Beyond
(Same as African American Studies M103J.) Lecture, three hours. Examination of black theater from Black Arts Movement of 1960s until today. Exploration of social and historical implications of work, and aesthetic experimentation of contemporary African American playwrights and movements. Letter grading.
C104G / History of Design for Performance Production Part I: Historic Costume from Prehistoric to Neoclassical
Lecture, four hours. Requisites: courses 14A, 14B, 14C. Study of historic costume as manifestation of cultural, social, economic, and political influences to provide historical framework for design of costumes for theater, film, and television. Survey of history of Western costume and civilian attire. May be repeated once for credit. Concurrently scheduled with course C404G. Letter grading.
107 / Drama of Diversity
Lecture, three hours; discussion, one hour (when scheduled). Investigation of diversity in American society as manifested in dramatic works and theatrical presentations. P/NP or Letter grading.
113 / Special Topics in Critical Studies
Lecture, three or four hours. Consult Schedule of Classes for author, period, genre, or subject to be studied in specific term. May be repeated for credit. P/NP or letter grading.
116B / Psychological Systems of Acting: Practice
Studio, six hours. Requisite: course 116A. Continuation of course 116A. Examination of characterization exercises and their application to contemporary scenes. Letter grading.
117 / Topics in Physical Performance
Studio, three to four hours. Exploration of specific physical performance techniques, drawn from range of practices. Topics may include specific types of partnering, combat, martial arts, vintage dance, etc. May be repeated twice for credit. Letter grading.
118A / Creative Dramatics
Lecture/laboratory, four hours. Studies of principles and procedures of improvisational approach to drama as done with children from nursery school to junior high. P/NP or letter grading.
118B / Advanced Creative Dramatics
Lecture, four hours; other, to be arranged. Practical application of creative drama process. Exploration of interrelationships of arts to traditional disciplines of learning. May be repeated once for credit. P/NP or letter grading.
120A / Acting and Performance in Film
Lecture, six hours. Exploration of acting and performance in film. Through screenings of performance-driven films, class discussion, and acting exercises, examination of methods, styles, and performances of some of world's most highly regarded actors and their work. P/NP or letter grading.
121 / Acting Workshop
Studio, to be arranged. Requisite: course 20. Courses 160, 163A, 163B, and 163C may be taken concurrently. Workshop that provides students with opportunity to rehearse, perform, and criticize scenes. May be repeated once for credit. P/NP or letter grading.
123 / Intermediate Acting for Stage
Lecture/studio, four hours. Requisite: course 20. Study and practice of art of acting through perfecting of techniques and application of those techniques to acting problems. P/NP or letter grading.
124A / Intermediate Voice and Speech I
Studio, three to four hours. Requisites: courses 24A, 24B. Builds on techniques developed in courses 24A and 24B. Exploration of warm-up, forward-connected sound, and diaphragmatic breath to support sound in both contemporary and classical texts. Letter grading.
124B / Intermediate Voice and Speech II
Studio, three to four hours. Requisite: course 124A. Builds on work in course 124A, adding individual warm-up, vowels, and application of varied vocal and acting choices, including forward and suspended sound and thought energy, in classical and contemporary texts. Letter grading.
124D / Acting for Microphone
Studio, one to three hours. Requisite: course 124B. Introduction to voiceover techniques for television and radio commercials, animation, video games, audio books, Automatic Dialogue Replacement (ADR)/looping, narration, e-learning, and interactive voice response (IVR). Letter grading.
125A / Alexander Technique
Studio, three to four hours. Requisite: course 25 or 28C. Study and practice in Alexander technique as method of developing balance, poise, and coordination of body and mind. Exploration of use of rhythm to expand movement potential of actors and use of visual arts and animal studies for character development. Letter grading.
125B / Physical Awareness and Combat for Theater, Film, and Television
Studio, three to four hours. Requisite: course 25 or 28C. Combat training for actors in theater, film, and television. Concentration on warm-up, relaxation, control, stunts, gymnastics, martial arts, and use of weapons. Letter grading.
125E / Movement and Combat III
Studio, three to four hours. Physical awareness for actors, concentrating on warming up body, relaxation, control, stunts, gymnastics, martial arts, and use of weapons. Letter grading.
126A / Acting Shakespeare
Studio, six hours. Requisite: course 116B. Study of characterization, verse, scansion, and rhetoric; personalization within heightened reality. Letter grading.
126B / Acting Classical Texts
Studio, six hours. Requisite: course 126A. Advanced study of characterization, approach to verse, scansion, use of embodiment in classic texts. Personalization within heightened reality. Letter grading.
131B / Intermediate Playwriting: Full-Length Play Part II
Studio, three hours. Requisite: course 131A. Continuation of writing of full-length plays begun in course 131A. May be repeated twice for credit. Letter grading.
134B / Dance for Musical Theater II
Studio, five hours. Designed for Theater majors. Development of dance and movement techniques for musical theater. Letter grading.
134E / Dance for Musical Theater III
Studio, five hours. Designed for Theater majors. Development of dance and movement techniques for musical theater. Letter grading.
135B / Musical Theater: Creating and Playing Subtext on Standard Ballad
Studio, three hours. Designed for Theater majors. Acting (creating personalized subtext) applied to performance of ballad. Letter grading.
135E / Musical Theater: Creating and Playing Character from Musical Text
Studio, two to three hours. Designed for Theater majors. Exploration of text and lyrics of musical theater piece, song cycle, or specific composer's work from actors' point of view. Students develop skills in research, character observation, and improvisation. Emphasis on creating and sustaining character through singing. Letter grading.
135F / Singing: Individual Instruction
Studio, one hour. Designed to advance proper vocal technique, focusing on breadth support, vowel shape, range expression, and overall mastery of vocal instrument. May be repeated four times for credit. Letter grading.
C146A / Art and Process of Entertainment Design
Lecture, three hours. Conceptualization, design, and prototyping of interactive theatrical events. Exploration of original forms of media-rich entertainment experience through lectures, presentations, and seminar participation. Students form collaborative teams to conceive and propose interactive entertainment events. Concurrently scheduled with course C446A. Letter grading.
148 / Special Courses in Design and Technical Theater
Lecture, three hours. Group study of selected subjects in design and technical theater. May be repeated twice for credit. P/NP or letter grading.
150 / Theater Production and Performance
Laboratory, three to six hours. Laboratory experience in various aspects of theater production, including performance in project or production, stage management, member of crew, or assignment as designer or assistant on production. May be repeated for maximum of 8 units. Letter grading.
C151B / Scenic Design for Theater
Lecture/studio, four hours. Requisites: courses 14A, 14B, 14C. Study of scenic design for proscenium, thrust, and arena configurations, multiset productions, and music theater. May be repeated once for credit. Concurrently scheduled with course C451B. Letter grading.
C153B / Costume Design for Theater
Lecture/studio, four hours. Requisites: courses 14A, 14B, 14C; for transfer students: course 149. Study of costume design for proscenium, thrust, and arena configurations, multiset productions, and music theater. May be repeated twice for credit. Concurrently scheduled with course C453B. Letter grading.
C153F / Practice of Costume Design for Film Productions
Lecture, three hours. Introduction to costume design as tool for storytelling, exploring integration of costume design and filmmaking process and what it takes to bring characters to life. Skills needed to effectively costume short narrative films, including script breakdown, collaboration with directors and actors, and how to manage production challenges. Concurrently scheduled with course C453F. Letter grading.
C155A / Graphic Representation of Design: Perspective Drawing
Studio, four hours. Requisite: course 147A or 147B. Introduction to use of pencil and pen to communicate scenic designs, including one- and two-paint perspective, form light, shade, and textures. Concurrently scheduled with course C455A. Letter grading.
C155E / Graphic Representation of Design: Life Drawing
Studio, four hours. Requisite: course 147A or 147B. Study and practice in drawing of human form. Concurrently scheduled with course C455E. Letter grading.
C156A / Introduction to Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drawing and editing techniques, drawing floor plan sections, and elevation drawings using AutoCAD. Concurrently scheduled with course C456A. Letter grading.
C156B / Advanced Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drafting techniques for scenic and lighting designs using AutoCAD. Concurrently scheduled with course C456B. Letter grading.
C156E / Advanced Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drafting techniques for scenic and lighting designs using Vectorworks. Concurrently scheduled with course C456E. Letter grading.
C157B / Costume Construction Techniques
Studio, four hours. Requisite: course C157A. Study of theory and application of drafting, pattern making, fitting, and construction techniques for period costumes and undergarments to achieve authentic-appearing costume using contemporary methods. Introduction to costume drafting, construction of period undergarments. May be repeated once for credit. Concurrently scheduled with course C457B. P/NP or letter grading.
163C / Directing for Stage
Lecture/studio, four hours. Requisite: course 15. Culminating development of directorial methods, with particular emphasis on challenges of style in text and production. Students direct scenes under laboratory conditions in alternative stage configurations. Letter grading.
167B / Audition Preparation for Singing Actor
Lecture/studio, three hours. Requisite: one course from 134A through 135F. Audition preparation for singing actor, providing various techniques to prepare for and successfully execute professional musical theater auditions. Letter grading.
172 / Production Practice in Theater, Film, Video, and Digital Media
Studio, three to eight hours. Exploration and laboratory experience in one or more various aspects of production and postproduction practice for entertainment media, including theater, film, video, and digital media. May be repeated for maximum of 24 units. Letter grading.
173A / Design Assignment: Assistant Designer
Studio, six hours. Requisites: courses 14A, 14B, 14C. Laboratory experience as assistant designer, including participation in preparation and realization of scenic, lighting, costume, or sound designs. May be repeated twice. Letter grading.
173B / Production Design Assignment: Designer
Studio, six hours. Requisites: courses 14A, 14B, 14C. Laboratory experience as designer, including preparation and realization of scenic, lighting, costume, or sound designs. May be repeated twice. Letter grading.
174B / Project in Stage Management
Studio, nine hours. Requisite: course 174A. Laboratory experience in professional duties of assistant stage manager, including participation as assistant stage manager in preproduction, rehearsal, and performance phases of productions. May be repeated once for credit. Letter grading.
174C / Project in Stage Management
Studio, 12 hours. Requisite: course 174A. Laboratory experience in professional duties of stage manager, including participation as stage manager in preproduction, rehearsal, and performance phases of productions. Problems of unions, auditions, organization, scheduling, and responsibilities of lengthy run. May be repeated three times for credit. Letter grading.
180 / Senior Project
Lecture or studio, three hours. Requisites: courses 101A, 101B, 101C. Preparation of conceptual or creative project to provide culminating experience in production of creative or research work. May be repeated twice for credit. Letter grading.
195 / Community or Corporate Internships in Theater, Film, and Television
Tutorial, eight, 16, or 24 hours. Limited to juniors/seniors. Internship at various theaters, studios, or entertainment organizations accentuating creative contributions, organization, and work of professionals in their various specialties. Students meet on regular basis with instructor and provide periodic reports of their experience. May be taken for maximum of 8 units. Individual contract with supervising faculty member required. Letter grading.
199 / Directed Research or Senior Project in Theater
Tutorial, three hours. Limited to juniors/seniors. Supervised individual research or investigation under guidance of faculty mentor. Culminating paper or project required. May be repeated for credit. Individual contract required. P/NP or letter grading.
208C / Practicum in Dramaturgy
Laboratory, to be arranged. Requisites: courses 208A, 208B. Demonstration of competence in practice of dramaturgy through completion of approved dramaturgical assignment. May be taken for maximum of 12 units. Letter grading.
216A / Approaches to Representation
Lecture, three hours; laboratory, one hour. Overview of strategies of representation from classical aesthetic theories to postmodern deconstructions of them. May be repeated once for credit. Letter grading.
220 / Graduate Forum
Seminar, one to four hours. Limited to graduate theater students. Presentation and discussion of issues informing and affecting contemporary theater. May be repeated four times for credit. S/U grading.
230B / Writing for Contemporary Theater: Full-Length Play
Lecture, three hours; studio, two hours. Designed for graduate students. Analysis of strategy and dramatic structure of selected contemporary full-length plays leading to guided completion and critique of student-written full-length play. Letter grading.
263 / Production Project in Direction for Stage
Discussion, one hour; studio, 12 to 30 hours. Designed for graduate students. Direction of dramatic work, with discussion and critique of work in progress. May be repeated for maximum of 20 units. Letter grading.
272 / Production Practice in Theater, Film, Video, and Digital Media
Studio, three to eight hours. Exploration and laboratory experience in one or more various aspects of production and postproduction practice for entertainment media, including theater, film, video, and digital media. May be repeated for maximum of 24 units. Letter grading.
298B / Special Studies in Theater Arts
Lecture/discussion, two or four hours. Designed for graduate students. Seminar study of problems in theater arts, organized on topic basis. May be repeated once for credit. S/U or letter grading.
375 / Teaching Apprentice Practicum
Seminar, to be arranged. Preparation: apprentice personnel employment as teaching assistant, associate, or fellow. Teaching apprenticeship under active guidance and supervision of regular faculty member responsible for curriculum and instruction at UCLA. May be repeated for credit. S/U grading.
C404G / History of Design for Performance Production Part I: Historic Costume from Prehistoric to Neoclassical
Lecture, four hours. Requisites: courses 14A, 14B, 14C. Study of historic costume as manifestation of cultural, social, economic, and political influences to provide historical framework for design of costumes for theater, film, and television. Survey of history of Western costume and civilian attire. May be repeated once for credit. Concurrently scheduled with course C104G. Letter grading.
421A / Advanced Acting: Shakespeare
Studio/laboratory, six to 18 hours. Extending idea of autobiography and using it as art. Actor as performance artist. Playing characters quite removed from oneself. Using language. Using Shakespeare and oneself to play him. Letter grading.
421C / Advanced Acting II
Studio/laboratory, six to 18 hours. Comedy workshop. Exploration of craft of comedy and development of cabaret pieces. Letter grading.
423 / Advanced Acting for Camera
Studio, three hours. Development and practice in performance techniques for film and television. Exploration of language used by actors and directors in film and television production and subtle differences between acting for stage and camera. Working in multicamera studio environment, students prepare and tape scenes for analysis. May be repeated twice for credit. Letter grading.
424A / Advanced Voice and Text
Studio, three to six hours. Development of voice for stage, including exercises for relaxation, breathing, bodily alignment, diaphragmatic breathing, head and chest resonance, and warm-up. Application of vocal techniques on contemporary and classical texts, including U.S. dialects and scansion of verse in Shakespeare. Letter grading.
424F / Advanced Vocal Range and Flexibility
Studio, three hours. Dynamic use of vocal range, including tempo, volume, pitch, resonance, actions, and physical presence. Text work focuses on developing vocal and physical flexibility and techniques designed to keep one's instrument safe while effectively communicating character. Letter grading.
425B / Advanced Movement I
Studio/laboratory, three to six hours. Discovery of body's unique language through exercises designed to explore and free total instrument. Development of flexible actor with range, expression, and confidence physically. Awakening of imagination while exploring worlds of ritual, animal, conceptual, and modern dance movements. Letter grading.
425E / Advanced Conditioning and Combat for Theater, Film, and Television
Studio, six hours. Body conditioning, basic striking skills, tumbling, breakfalls, redirection of energy, stunts, gymnastics, martial arts, use of weapons, and integration of skills in performance contexts. Letter grading.
430B / Advanced Studies in Playwriting
Lecture, three hours. Limited to M.F.A. playwriting program students. Guided completion of full-length scripts for stage. S/U or letter grading.
430C / Advanced Studies in Playwriting
Lecture, three hours. Limited to M.F.A. playwriting program students. Guided completion of full-length scripts for stage. S/U or letter grading.
433B / Script Development Workshop
(Formerly numbered C433B.) Lecture, three hours; studio, four to 24 hours. Designed for graduate students. Guided process of script development, with emphasis on communication, artistic growth, and professional process. May be taken for maximum of 8 units. Letter grading.
435AW / Problems in Advanced Writing for Stage
Lecture, two hours. Limited to M.F.A. candidates. Review discussion and critique of playwriting projects. May be repeated for maximum of 6 units. In Progress grading (credit to be given only on completion of course 435AS).
441D / Scenic Projection and Media Techniques
Lecture/laboratory, four hours. Designed for graduate students. Advanced study and practice in scenic projection and media techniques, with emphasis on analysis, design, and execution of theatrical projection and photographic technique for stage. S/U or letter grading.
442B / Costume Design
Lecture/studio, four hours. Advanced study and practice in costume design for theater. Imagination as impetus for design, text analysis, metaphor, and conceptualization. Investigation of design research process, period style, and character analysis leading to visual presentation of design. Study of costume design for theatrical productions, ballet, opera, and musical theater. May be repeated once for credit. Letter grading.
445B / Production Design for Film, Television, and Entertainment Media
Lecture/studio, four hours. Study and practice in design of scenic environment for film, video, and entertainment media, including effect of differing media on design choices, role of production designers and art directors, and design for single- and multiple-camera production. May be repeated once for credit. Letter grading.
C446A / Art and Process of Entertainment Design
Lecture, three hours. Conceptualization, design, and prototyping of interactive theatrical events. Exploration of original forms of media-rich entertainment experience through lectures, presentations, and seminar participation. Students form collaborative teams to conceive and propose interactive entertainment events. Concurrently scheduled with course C146A. Letter grading.
C453F / Practice of Costume Design for Film Productions
Lecture, three hours. Introduction to costume design as tool for storytelling, exploring integration of costume design and filmmaking process and what it takes to bring characters to life. Skills needed to effectively costume short narrative films, including script breakdown, collaboration with directors and actors, and how to manage production challenges. Concurrently scheduled with course C153F. Letter grading.
C455A / Graphic Representation of Design: Perspective Drawing
Studio, four hours. Requisite: course 147A or 147B. Introduction to use of pencil and pen to communicate scenic designs, including one- and two-paint perspective, form light, shade, and textures. Graduate students expected to produce drawings demonstrating higher level of proficiency and skill. Concurrently scheduled with course C155A. Letter grading.
C455E / Graphic Representation of Design: Life Drawing
Studio, four hours. Requisite: course 147A or 147B. Study and practice in drawing of human form. Concurrently scheduled with course C155E. Letter grading.
C456A / Introduction to Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drawing and editing techniques, drawing floor plan sections, and elevation drawings using AutoCAD. Concurrently scheduled with course C156A. Letter grading.
C456B / Advanced Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drafting techniques for scenic and lighting designs using AutoCAD. Concurrently scheduled with course C156B. Letter grading.
C456E / Advanced Computer-Assisted Drafting
Studio, four hours. Requisite: course 147A. Investigation of drafting techniques for scenic and lighting designs using Vectorworks. Concurrently scheduled with course C156E. Letter grading.
C457B / Costume Construction Techniques
Studio, four hours. Requisite: course C457A. Study of theory and application of drafting, pattern making, fitting, and construction techniques for period costumes and undergarments to achieve authentic-appearing costume using contemporary methods. Introduction to costume drafting, construction of period undergarments. May be repeated once for credit. Concurrently scheduled with course C157B. S/U or letter grading.
457D / Advanced Historical Costume Interpretation and Construction
Lecture/studio, four hours. Introduction to costume design as tool for interpretation of one renowned artwork and as intrinsic element of art history to gain expertise in costume and pattern making, while creating half-scale costume inspired by masterwork and to gain familiarity with artist's life and social milieu. Letter grading.
463 / Production Project in Direction for Stage
Studio, 24 hours. Designed for graduate students. Creative participation as director in conceptualization and preparation of dramatic work. Letter grading.
472 / Production Practice in Theater, Film, Video, and Digital Media
Studio, three to eight hours. Exploration and laboratory experience in one or more various aspects of production and postproduction practice for entertainment media, including theater, film, video, and digital media. May be repeated for maximum of 24 units. Letter grading.
474 / Advanced Projects in Design and Production
Lecture/studio, four hours. Study and practice in preparation and execution of designs for theater, film, video, and related entertainment forms. As contributing artistic member of design team, creative responsibilities include designer, technical supervisor, or production manager. May be repeated for maximum of 16 units. Letter grading.
498 / Professional Internship in Theater, Film, and Television
Tutorial, to be arranged. Full- or part-time at studio or on professional project. Designed for advanced M.F.A. students. Internship at various film, television, or theater facilities accentuating creative contribution, organization, and work of professionals in their various specialties. Given only when projects can be scheduled. S/U or letter grading.
596A / Directed Individual Studies: Research
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
596B / Directed Individual Studies: Writing
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
596C / Directed Individual Studies: Directing
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
596D / Directed Individual Studies: Design
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
596E / Directed Individual Studies: Acting
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
596F / Directed Individual Studies: Production
Tutorial, to be arranged. Designed for graduate students. May be repeated with consent of instructor. S/U or letter grading.
597 / Preparation for PhD Qualifying Examinations in Theater Arts
Tutorial, to be arranged. Writing of prospectus and three reading lists. May be repeated for credit. S/U grading.
599 / PhD Dissertation in Theater Arts
Tutorial, to be arranged. Preparation: advancement to Ph.D. candidacy. Research for and writing of Ph.D. dissertation. May be repeated for credit. S/U grading.